i think you're inputting beliefs about 300 after knowing his intentions with holy terror. 300 was definitely jingoistic, even xenophobic, but hell that was faithful to the style of Greek politics and customs at that time. i cant really think of anything from 300 that was blatantly a reference to modern politics,because "greek freedom" was really a rallying cry for the greeks during the persian wars.
For the
Athenians, who are routinely derided and insulted in the movie, to the point of ommitting, Ooh I don't know, the massive naval battle they were fighting at exactly the same time the Spartans were holding the pass at Thermopylae (along with 1K of militia soldiers from other cities, who despite also being derided and insulted fought and died till the end, they didnt run away to let the brave spartans hold the rearguard) . And that's already pretty ironic, considering the Athenians could own slaves and their democracy was extremely restrictive. The Spartans politically had more in common with Stalinist Russia than anything in the US, and they certainly would never have shouted for freedom during a battle. This is just one of the many reasons Frank Miller fails at history.
For one thing, 300″ gave all credit to the Spartans, extolling them as role models and peerless examples of manhood. Adorably macho defenders of freedom.
Uh, right. Freedom. Sorry, but the word bears a heavy burden of irony when shouted by Spartans, who maintained one of the worst slave-states ever, treating the vast majority of their people as cattle, routinely quenching their swords in the bodies of poor, brutalized helots
who are never mentioned, even glimpsed, in the romanticized book or movie. Indeed, the very same queen who Frank Miller portrayed as so-earthy, so-kind, was said to be quite brutal with a whip, in real life.
Millers Spartan warriors honestly and openly conveyed the contempt for civilians that was felt across the ages by all feudal warrior castes. An attitude in sharp contrast to American sympathies, which always used to be about Minuteman farmers and shopkeepers citizen soldiers the kind who bravely pick up arms to aid their country, adapting and training under fire. Alas, Frank Millers book and movie 300″ ridiculed that kind of soldier
even though the first invasion by Persia, ten years earlier under Xerxess father had been defeated by just such a militia army
from Athens
made up of farmers, clerks, tradesmen, artists and mathematicians. A rabble of ill-disciplined brawlers who, after waiting in vain for promised help from Sparta, finally decided to handle the problem alone. On that fateful day that citizen militia leveled their spears and their thin blue line attacked a professional Persian force many times their number, slaughtering them to the last man on the legendary beach of Marathon.
http://davidbrin.blogspot.com/2011/11/move-over-frank-miller-or-why-occupy.htmlThat entire article seems to be bashing him for some sort of recent comments on the protests on the US, but he conveniently deconstructs how terrible Miller's 300 is as far as historical accuracy. And that's not even getting into the real culprit, the characterisation of the Persian Empire, but when you see stuff like this:
"These people saw peoples heads off. They enslave women, they genitally mutilate their daughters, they do not behave by any cultural norms that are sensible to us. Im speaking into a microphone that never could have been a product of their culture, and Im living in a city where three thousand of my neighbors were killed by thieves of airplanes they never could have built."
, it's pretty easy to understand where he's coming from. This guy
hates any culture that is even tangentially related to the Islamic religion. It's not about Al-Qaeda, or terrorists. I've read a few reviews of the "Holy Terror" stuff, and it's only served to convince me even further. The US is at war with an idea, indeed, but Miller seems to think that idea is Islam, not Terrorism.
Frank Miller needed the plutocratic military worship AND the freedom-loving democracy to project onto, because that's what he believes the US should be, but he conveniently ignores that no such culture ever existed, at least certainly not in ancient Sparta. And he needed a despicable enemy that could easily be painted as sub-human and he chose...the most technologically and culturally advanced empire at the time...the fails in this guy's symbology for anyone with even passing knowledge of ancient history are just too much. Anyways, the Spartans in 300 are Miller's idealization of the US. There's no way of stating it any clearer.